The resulting explosion engulfed
Posted: Sat Jan 18, 2025 6:11 am
One by one, our team sacrificed their lives to complete the mission - it was a tear-jerking movie. Eventually the Rebel fleet arrives and dismantles the planet's shields so Cassian and Jyn can transmit the schematics. Grand Moff Tarkin, who took control of the Death Star's trajectory shortly after the Rebels obtained the schematics, fired a low-powered bullet at teacher database Scarif, destroying the database and killing Krennic. the entire area, killing Cassian Jean and the rest of the troops on the ground.
Darth Vader in Rogue. Photo courtesy of Everett Collection, Lucasfilm Ltd. You may remember that this all led up to the Rebels handing those precious Death Star schematics to orbit while Vader violently killed anyone in his path. There was a moment when the ship carrying the plans safely delivered them to Leia Organa but we all know what would happen to her just minutes later. Part of our optimism stems from showrunner and screenwriter Tony Gilroy, co-writer of Rogue One.
Gilroy's description of the show as a bit of a "noir" and treating its two seasons as two halves of the novel seems to be bringing a grittier, more grounded sensibility to the show. This worked really well for the story Rogue and Andor wanted to tell. "This is an immigrant's journey and that's everything to me," Luna said in an interview. "There's a deep underlying feeling behind this story about having to move." Other Star Wars titles may not handle this type of subject matter as adroitly or you know they're very Disney.
Darth Vader in Rogue. Photo courtesy of Everett Collection, Lucasfilm Ltd. You may remember that this all led up to the Rebels handing those precious Death Star schematics to orbit while Vader violently killed anyone in his path. There was a moment when the ship carrying the plans safely delivered them to Leia Organa but we all know what would happen to her just minutes later. Part of our optimism stems from showrunner and screenwriter Tony Gilroy, co-writer of Rogue One.
Gilroy's description of the show as a bit of a "noir" and treating its two seasons as two halves of the novel seems to be bringing a grittier, more grounded sensibility to the show. This worked really well for the story Rogue and Andor wanted to tell. "This is an immigrant's journey and that's everything to me," Luna said in an interview. "There's a deep underlying feeling behind this story about having to move." Other Star Wars titles may not handle this type of subject matter as adroitly or you know they're very Disney.