The more money flows out
Posted: Wed Feb 05, 2025 6:09 am
Any weakening of the SRG is therefore in the interest of her employer, because the lower the SRG's market share falls - and they will certainly do so if Rickli's proposals are implemented - of Switzerland. But it is not just this explosive starting point that is causing concern, even more so are the unqualified analyses with which she justifies her proposal for a massive reduction in the SRG fee to 200 francs. Rickli's comments on the program are particularly naive, where she calls for the end of SF2 without batting an eyelid.
She does not explain where she plans to hold the many top sporting events that are an absolute basic offering of every license fee-funded broadcaster. Today, even SF Info has to be used when spain rcs data Roger Federer and the Swiss national football team are playing at the same time in order to cover the needs of a broad audience. And when Ms Rickli goes on to explain that neither series nor feature films are needed on public broadcasters, then she is clearly just blind. These two genres - namely the entire fictional area - are part of the basic equipment of the large German license fee broadcasters such as ARD and ZDF.
They are central program elements, some of which can be financed by such broadcasters alone. As a close observer of the German television landscape, it is therefore clear to me that Ms Rickli's argument is both helpless and nonsensical and is therefore purely ideologically driven. This discussion is so annoying because it distracts from the real issue, namely how the SRG can become more efficient, leaner and therefore better, which is something that absolutely must be achieved.
She does not explain where she plans to hold the many top sporting events that are an absolute basic offering of every license fee-funded broadcaster. Today, even SF Info has to be used when spain rcs data Roger Federer and the Swiss national football team are playing at the same time in order to cover the needs of a broad audience. And when Ms Rickli goes on to explain that neither series nor feature films are needed on public broadcasters, then she is clearly just blind. These two genres - namely the entire fictional area - are part of the basic equipment of the large German license fee broadcasters such as ARD and ZDF.
They are central program elements, some of which can be financed by such broadcasters alone. As a close observer of the German television landscape, it is therefore clear to me that Ms Rickli's argument is both helpless and nonsensical and is therefore purely ideologically driven. This discussion is so annoying because it distracts from the real issue, namely how the SRG can become more efficient, leaner and therefore better, which is something that absolutely must be achieved.