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Just like any cultural institution

Posted: Tue Feb 04, 2025 10:53 am
by asimj1
What we do, however, and what clearly annoys certain authors, is that we look for sponsors when appropriate. For example, foundations, major banks and insurance companies sponsor cultural institutions. And we produce the magazine. I really don't see anything wrong with that. Because without the support of foundations and businesses, there would be no more cultural institutions.

In the case of the Du edition "Hodler, Anker, Giacometti" I myanmar rcs data approached Marc Fehlmann, head of the Oskar Reinhart Museum, and Christoph Blocher at the beginning of the year because I wanted to make the booklet for the exhibition that opened at the beginning of October to mark the collector's 75th birthday. Christoph Blocher had no influence on the booklet; he saw it for the first time when it was delivered. We only gave him the interview to proofread, which is journalistic custom. The exhibition bought a large number of books from us at book trade prices.

I submitted an application to the Max Frisch Foundation for a possible Max Frisch issue to mark the 25th anniversary of his death in April 2016. Lukas Bärfuss is on the foundation's board. That's how he came to make his absurd claim in the FAZ . The application was rejected. There will be no Max Frisch issue.