Vampirism is an analogy for the decade's excess

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“It’s fun to be a vampire” is the film’s tagline, a sentiment that was reinforced throughout its runtime. Vampires are timeless powerful beautiful creatures who live by their own rules and party like rock stars in The Lost Boys. That’s the scariest part of this movie – how alluring the vampires seem on the surface. The Lost Boys can also be seen as a meta-commentary of the 2000s. and hedonism.

Just like "it's fun to be a vampire," it's fun to be a rave rock star. Powerful croatia telegram data direction by Joel Schumacher and a riveting script help The Lost Boys break new ground, thanks to riveting performances from a committed cast. Vampires aren't just creepy anymore. There's no denying they're cool, too. Blade images courtesy of New Line Cinema You can’t talk about cool vampire movies without giving Blade its due.

The 1990s were an incredibly experimental time in the film industry, with dozens of screenplays in the works and comic book adaptations becoming more common. Marv Wolfman and Gene Colan created Blade for Marvel Comics in 2001. Wesley Snipes finally brought Daywalker to the big screen. Directed by Stephen Norrington Written by David Goyer Blade redefines superhero movies and vampire movies. Action horror pathos and even a bit of comedy are seamlessly integrated into this film.